Famously, Berlin has three renowned opera houses: the newly re-opened Staatsoper, the Deutsche Oper and the Komische Oper (there is also a wonderful vagabond phenomenon known of as the Kiez Oper but about it another time). Did you know, however, that at least two more Berlin venues offer high quality opera performances? One of them might be the Smallest Opera House in Germany while the other is about to celebrate its 40th birthday this weekend.
At its regular address in Landsberger Allee 61, Friedrichshain´s Hauptstadtoper (Capital City Opera House) – established in 2009 by a soprano Kirstin Hasselmann – seats maximum 60. When performing at the “Alte Feuerwache” in Marchlewskistraße 6, with whom they have been co-operating for a while, that number grows to 120. But obviously it is not the number of square metres or chairs that decides whether a show is of merit or failed. Judging by the popularity of Hauptstadtopera´s performances, their plan to bring opera to the people (as opposed to bringing people to the opera and that at 50 Euros per ticket) has taken off.
Thanks to the Hauptstadtoper´s troupe of kind professionals and devoted amateurs you can see works of Purcell, Mozart, Gluck and, yes, Richard Wagner, staged in a way that none of the latter would have thought possible. However, it is not to say that they would not have appreciated it. On the contrary: the mini-opera performances are very professional yet charming and approachable (something that, now and then, might be lacking in the perhaps slightly more elitist “big-opera” world).
In order to finance their productions, next to performances the Hauptstadtoper also offers singing lessons and opera projects for schools.
Speaking about schools, or rather universities: the other of the two perhaps lesser-known Berlin opera houses, the Neuköllner Oper in Karl-Marx-Straße 131/133 in (unsurprisingly) Neukölln, is where future artists and virtuosos can perform their stage test-flights. The Neuköllner Oper works closely together with Berlin´s Universität der Künste, or Univeristy of the Arts. New pieces by the school´s students are regularly staged and presented to curious, adventurous audiences. And the latter keep returning for more: the Neuköllner Oper, whose venue is a 1909 Art Deco shopping and entertainment arcade designed by Reinhold Kiehl (yes, the one of the nearby Kiehlufer) and Paul Hoppe, is about to celebrate its 40th anniversary this weekend!
Established in 1977 by a group of opera aficionados who did not mind practising or performing in the Neukölln courtyards and private living-rooms, moved into the historical ensemble in 1988. Today it offers performances in two halls: a larger one, old ballroom, seating 220 and a smaller Studiobühne for 60 guests. Their repertoire is an eclectic mix ranging from the classics to what can be described as “world music” (the building also houses the first German-Turkish Musical Theatre opened in Germany).
In the past 40 years the Neuköllner Oper has produced a staggering 220 world premieres. Surely, with its 10 productions per year and a total of 250 performances in twelve months, it must be the most prolific music theatre in Europe.
If you would like to get to know it, what better moment than now? The current programme includes two completely different musical pieces: a chamber version of the first-ever Japanese opera, the 1940 “Kurofune” (Black Ships) by Kosaku Yamada, entitled “Rette uns, Okichi!” (Save us, Okichi!) and a real treat to all “Dreigroschenoper” fans, “La BETTLEROPERa”.
The latter, shown on November 9-16 at 8PM, is a tribute to the original eighteenth-century English opera which inspired Brecht´s production of the 1928 “Threepenny Opera” (its co-author Elisabeth Hoffmann translated the English libretto to German and – an often forgotten fact – wrote the new one together with Brecht). After its premiere in 1728 The Beggar´s Opera, a ballad opera by John Gay and Johann Pepusch, became the longest running stage show of the whole century (62 consecutive performances!) In the 1920s it beat that record again after the London “Lyric Theatre” adaptation of what the “New York Times” described later as the “anti-opera” lasted a full 1,463 performances.
Today, Brecht´s, Hoffmann´s and Kurt Weil´s version of the story (in their production the plot remained basically unchanged, while the libretto and the music were produced anew) is one of the most popular musicals in history. The Neuköllner Oper show, featuring the excellent German-Italian Balletto Civile, is a tribute to the original piece.
Should you, however, have no time to go and see the performance this week, despair not: it will be running throughout the rest of the month. You might, however, want to attend the 40th birthday celebrations at the Neuköllner Oper this Sunday at 11AM. Come and join the crowd. And it won´t matter in the least if your own rendering of “Happy birthday” song is slightly out of tune.
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