A stroll on a quiet autumn day at the Neue See, a small artificial lake in the Tiergarten Park, painted by one of Berlin’s leading artists of the late nineteenth and early twentieth centuries, wonderfully named Lesser Ury.

Ury is mostly known for his incredibly atmospheric paintings of rainy Berlin streets and plazas but he could clearly also master less inclement conditions. The painting, dated at some time between 1910 and 1920, is filled with cool mellow light of an autumn afternoon – light which seems to be almost radiating from the picture and as much as the calmness it presents. Happy the soul whose walls it decorates today!

Today’s mood in Berlin – it must have been April, too, when Lesser Ury made sketches for this painting in 1910 on Kurfürstendamm. Back in the days when Charlottenburg was an independent city said to have been the wealthiest municipality in Prussia.

Ury himself lived at Nollendorfplatz 1 in Berlin W30 (the old postal code for Schöneberg). At the time his biggest “enemy” (it was more of a bitter competition but not one marked by malice) had his studio almost exactly 3.3 km north-east of Ury’s, in the very heart of fine Berlin. Professor Max Liebermann, the heavy-weight of Berlin art-world, and his family resided on the second floor of the house Pariser Platz No. 7.

The anecdote has it that when Lesser Ury allegedly began to spread a rumour that it was him and not Liebermann who created the exquisite light-effects in the master’s famous 1887 painting, “Flax Scourers in Laren”, Liebermann – famous for his direct ways and sense of humour – responded: “I can’t be bothered to sue Herr Ury – unless he starts telling people that it was I who painted his paintings.”

Lesser Ury “Am Kurfürstendamm”, 1910 (image PD via Wikipedia, original painting in a private collection )